Anna Moser
b. 1989, New York

contact: annaccmoser@gmail.com


Education

2013-2018
PhD Candidate, New York University, English Literature

Summer 2017
London Critical Theory Summer School, The Birkbeck Institute for the Humanities

2011-2012     
MPhil, Cambridge University, English Studies: Criticism and Culture

2007-2011    
BA, Yale University, Literature and Art

Summer 2010    
Yale at Norfolk Summer School of Art, Norfolk, CT


Exhibitions

2016
Monopoles, Ugly Duck, London, UK
ATMOSPHERE, Roof Books, New York, New York

2015
Light Soluble Mediums, The Picture Show, Brooklyn, New York

2014    
The White Castle Presents: New York, Lately - Volume II, The White Castle, Brooklyn, New York

2013
Talk Between Nudes, Page 22, New York, NY
The White Castle Presents: Volume I, The White Castle, Brooklyn, New York

2012    
The Music Box, Corpus Playhouse, Cambridge, UK
Undergraduate Work from the Yale School of Art, Yale College Dean’s Office, Yale University, New Haven, CT

2011    
Senior Thesis Exhibition, Green Gallery, Yale University, New Haven, CT
Advanced Sculpture Show, Yale Sculpture Building, Yale University, New Haven, CT  

2010    
Norfolk Works, Yale College Dean’s Office, Yale University, New Haven, CT
Norfolk Thesis, The Art Barn, Norfolk, CT

2008    
D.S. EXPOSED, Maya’s Room, Yale University, New Haven, CT


Fellowships/Awards

2016
Global Research Initative (GRI) award to conduct dissertation research at NYU London

2013    
GSAS MacCracken Fellowship to attend New York University

2011     
Cambridge Overseas Trust Fellowship to attend Cambridge University
Phi Beta Kappa, Yale University

2010     
Ellen Battell Stoeckel Trust Fellowship to attend Yale at Norfolk School of Art

2009    
Yale Sudler Grant for If Winter Never Ends: funded a film and art installation, Maya’s Room, Yale University

2008    
Yale Sudler Grant for D.S. EXPOSED: funded exhibition of original drawings, Maya’s Room, Yale University


Conferences

October 14-15, 2016
Minimalism: Location, Aspect Moment, University of Southampton/Winchester School of Art, UK
Paper: "Paul Thek, Blakean Iconoclast: sabotaging minimalism with the Technological Reliquary"

March 17-20, 2016
ACLA Annual Metting, Harvard, Massachusetts
Paper: "Form as Addendum and Irregularity: reading seriality in the work of Eva Hesse"

March 26-29, 2015:
ACLA Annual Meeting, Seattle, Washington
Paper: "Collection as Critique: poetic subjectivity, desire, and the accumulative authorial impulse in Elizabeth Bishop and Lydia Davis"

November 14-15, 2014: 
Things (re)called: Memory and Materiality Across the Disciplines, Yale University
Paper: "Susan Philipsz's Study for Strings: aural re-presentation and the limits of collective memory"

 

Curation

2015
The Line of Beauty: Refiguring the Serpentine Line from Drawing into Photography
Princeton University Art Museum
Co-curator, for Susan Stewart and Eve Aschheim's Line in Literature and Visual Art Seminar

link: http://artmuseum.princeton.edu/object-package/line-beauty-refiguring-serpentine-line-drawing-photography/43017


Publications

Feminist Temporalities (forthcoming, Fall 2017)
Editor, with Ada Smailbegović
Published through the Organism for Poetic Research

Re: Theory, A Sunday (Spring 2016)
Co-editor and contributor: "Anti-Gift"

Pelt vol. 3 (Fall 2014)
contributor: “Sci-Pulp Poetics” 

link: http://organismforpoeticresearch.org/