PhD Candidate, New York University, English Literature
London Critical Theory Summer School, The Birkbeck Institute for the Humanities
MPhil, Cambridge University, English Studies: Criticism and Culture
BA, Yale University, Literature and Art
Yale at Norfolk Summer School of Art, Norfolk, CT
Set design for Les Bijoux Indiscrets, or, Paper Tigers, Bold Tendencies, London, UK (staged September 29, 2017)
Monopoles, Ugly Duck, London, UK
ATMOSPHERE, Roof Books, New York, New York
Light Soluble Mediums, The Picture Show, Brooklyn, New York
The White Castle Presents: New York, Lately - Volume II, The White Castle, Brooklyn, New York
Talk Between Nudes, Page 22, New York, NY
The White Castle Presents: Volume I, The White Castle, Brooklyn, New York
The Music Box, Corpus Playhouse, Cambridge, UK
Undergraduate Work from the Yale School of Art, Yale College Dean’s Office, Yale University, New Haven, CT
Senior Thesis Exhibition, Green Gallery, Yale University, New Haven, CT
Advanced Sculpture Show, Yale Sculpture Building, Yale University, New Haven, CT
Norfolk Works, Yale College Dean’s Office, Yale University, New Haven, CT
Norfolk Thesis, The Art Barn, Norfolk, CT
D.S. EXPOSED, Maya’s Room, Yale University, New Haven, CT
Mellon Dissertation Fellowship in English, New York University
Global Research Initative (GRI) award to conduct dissertation research at NYU London
GSAS MacCracken Fellowship to attend New York University
Cambridge Overseas Trust Fellowship to attend Cambridge University
Phi Beta Kappa, Yale University
Ellen Battell Stoeckel Trust Fellowship to attend Yale at Norfolk School of Art
Yale Sudler Grant for If Winter Never Ends: funded a film and art installation, Maya’s Room, Yale University
Yale Sudler Grant for D.S. EXPOSED: funded exhibition of original drawings, Maya’s Room, Yale University
March 7-10, 2019
ACLA Annual Meeting, Washington, D.C.
Paper: "Conceptualizing the Variant"
March 10-12, 2018
Rethinking Public Space, Winter Symposium organized by the network Feminist Philosophy: Time, History and the Transformation of Thought of the Nordic Summer University and hosted by the University of Oslo, Norway.
Paper: “Maintenance Art: A Contemporary Feminist Perspective on Mierle Laderman Ukeles and the New York City Sanitation Department"
October 14-15, 2016
Minimalism: Location, Aspect Moment, University of Southampton/Winchester School of Art, UK
Paper: "Paul Thek, Blakean Iconoclast: sabotaging minimalism with the Technological Reliquary"
March 17-20, 2016
ACLA Annual Meeting, Harvard, Massachusetts
Paper: "Form as Addendum and Irregularity: reading seriality in the work of Eva Hesse"
March 26-29, 2015:
ACLA Annual Meeting, Seattle, Washington
Paper: "Collection as Critique: poetic subjectivity, desire, and the accumulative authorial impulse in Elizabeth Bishop and Lydia Davis"
November 14-15, 2014:
Things (re)called: Memory and Materiality Across the Disciplines, Yale University
Paper: "Susan Philipsz's Study for Strings: aural re-presentation and the limits of collective memory"
The Line of Beauty: Refiguring the Serpentine Line from Drawing into Photography
Princeton University Art Museum
Co-curator, for Susan Stewart and Eve Aschheim's Line in Literature and Visual Art Seminar
Journal of British and Irish Innovative Poetry (September 2018)
“‘Linguistically Wounded’: Veronica Forrest-Thomson, Sylvia Plath, and the Limits of Poetic Artifice.”
Feminist Temporalities (Fall 2017)
Editor, with Ada Smailbegović
Published through the Organism for Poetic Research
Re: Theory, A Sunday (Spring 2016)
Co-editor and contributor: "Anti-Gift"
Pelt vol. 3 (Fall 2014)
contributor: “Sci-Pulp Poetics”